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THE RADIO CIRCLE
(formerly known as VRPCC)

The Radio Circle is designed to cater for the individual collector of both spoken word radio output - e.g. comedy shows, plays, serials, documentary and news programmes - and music broadcasts, principally from the U.K., but also from America. Several individuals have amassed extensive collections, well catalogued, containing material which would otherwise not have been officially archived or preserved.

The Radio Circle is designed to put people with similar interests in touch with each other and to facilitate the exchange of material for purely private and personal enjoyment. A principal objective is to build membership through the selective recruitment of collectors and, in time, to minimise the risk of collections (which may have been built up over many years) being inadvertently - or, worse still, deliberately - destroyed when an individual's estate is dealt with.

Unfortunately, much material broadcast in the UK has not been preserved, due in part to constraints of space and money, and yet the content of radio programmes together with the method of presentation over the years does reflect the social manners of the time. It is highly likely that recordings of programmes which were transmitted many years ago are gathering dust in attics and lumber rooms or exist in private collections and await discovery. If what you have read strikes a chord, and you would like more information, please take a look at the RADIOCIRCLE website, www.radiocircle.org.uk

Roger Bickerton

(Roger writes briefly on our radio material in the following section)








Roger Bickerton of The Radio Circle (VRPCC)
comments on the "Diversity" Website ...

I was pleased to be introduced to your website, and to see something about Radio Drama, a subject which has been unaccountably neglected by academics and critics, with but a few exceptions. There have been very few books written about it in the past 20 years, and only a handful in the 30 or so before then. There is evidence of a steady decline in the percentage of funding available to radio drama as opposed to TV, whose appetite for cash is undiminished. Certainly, the disappearance of the 90-minute play on Saturdays in mid-1996 was not well-received by many listeners, and it is many years since the BBC funded large-scale serials running to as many as 13 episodes, "War and Peace" being a notable exception in late 1997/ early 1998.

It could be argued that Radio Drama, more than any other category of programme (possibly apart from comedy) reflects the times in which we live, in terms of the subjects covered and the acting styles adopted. Therefore the location and preservation of private recordings, even if not of "broadcast quality", should form an essential part of the overall fabric of Social History, represented in so many ways throughout the UK by museums large and small. For the last few years I have been trying to trace serious collectors of spoken word radio output before their collections disappear forever into landfill sites. The limitations of equipment available in the 50s and 60s meant that recordings were often plagued with sound defects, whilst the high cost of tape resulted in recordings being wiped and replaced by other material. However, radio is such an ephemeral medium that unless collections are found and archived, it is likely that no other copies of a programme will exist.

I am in touch with Nigel and a few other people who have been recording radio drama for many years, so am particularly keen to hear from anyone who shares this interest and who may believe that there is no-one else "out there" who does. We can be contacted via the RADIOCIRCLE website:

www.radiocircle.org.uk

ROGER BICKERTON

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