In his book "Writing for Radio", from about twenty years ago, Colin says the following:
"Most ideas beginners have for radio plays are wrong ideas. The common
feeling seems to be that the more sensational the plot the greater the
impact on the audience. More often than not, the reverse turns out to
be the case".
"Sound drama is much more about lifting surfaces than polishing them".
"Imply as much as you can get away with, and describe as little as can
a person contacting the website ("J") adds:
Colin Haydn Evans was born in Sept, 1940, the only child of Welsh parents. He spent his early childhood in Rhodesia, returning to Britain in the late 1940s. He could never see the point of school and left at 15 to a host of temporary jobs with the intention always of becoming a writer.
From an early age he was passionate about film and theatre and poetry and, at one time, particularly the work of Dylan Thomas. He was one of the first to campaign to save the Boathouse at Laugharne from falling into disrepair as well as into American hands.
Colin's first success came with his semi-autobiographical television play, Name for the Day, for the BBC in 1980, after which followed a prolific couple of decades writing plays for BBC Radio Drama. An intensely private person, Colin chose to stay out of the more public world of Theatre and television, preferring to carve an anonymous niche for himself as a Radio Dramatist.
His book, Writing for Radio, published in 1991, is still regarded highly for the sound advice it offers on the craft. He was married three times and with his third wife, Pam, settled first in Shropshire and finally in the heart of rural Wales, where he died in August 2009. (.......thank you, "J").
Here are details of the plays I've managed to trace, in
BBC RADIO BROADCASTS
P. O'Brien, dramatised by C.H.E. A
sad tale set in rural Wales. An Oxford
prof. goes to stay in his holiday cottage
and falls ill. A local farmer's wife
puts him up and helps him recover. All
would be well were it not for the visit
of a pompous, sexually-frustrated priest.
Taming the Wart*....2000, 45m
Holy Marriage*....1999, 45m
Apocalypses and conflicting priests
A soldier writes home. The letters are to his friend's wife. In return, his friend does the cooking.....
A frightening tale in the "Fear on Four" series.
Forest Tales....1996, serial
3 x 30 min, R4, 7.8.1996 to 21.8.1996, with Manon Edwards/Christine
Pritchard/Nia Davies/Eluned Jones
Brigid of Kildare....1995
R4 11.4.1995/1400; Moir Leslie/Mary Wimbush/William Eedle.
Falling Heads....1995, SNT
R4, 25 March 1995,19:50 hrs- with Ronald Pickup/Leslie Phillips/
The Spring Queen....1993, serial
R5, 25.4.1993 to 16.5.1993, 4 x 30min; with Graham Crowden/Jerome
A Walk Across The Green*....1990, SNT
R4,7 April 1990,19:45 hrs- with Christopher Good/Steve Hodson. Protestants, Catholics and the conflict between them, three hundred years ago.
The Speciality Of The House*....1988
20 Mar 88; by Stanley Ellin, adapted by Colin Haydn Evans:
Timothy West, David March, Paul Gregory, Tim Reynolds.
Dir - Gerry Jones.
Name For The Day....1984, AFT
12.4.1984, with Christopher Ettridge/Ingrid Hafner/Angela Phillips
28.3.1984, with Roger Hammond/Eva Stuart
15.2.1984, with Anna Massey/Blain Fairman. First in a series of
An Unfortunate Occurrence at Hounslow....1984, AFT
8.1.1984, with Gary Cady/John Livesey/John Turner/Maurice
Denham/John Warner. (Rpt; details as below). A flogging in the army a little over a century ago
leads to a change in the law.
Note from ND - Understanding the mindset of the characters
in the play is not easy. Why would one flog, almost to death, a soldier on one's own side?
R4, 18 July 1983, 20:30 hrs- with Frederick Treves/T.P. McKenna/Saeed
16.11.1983, with Hugh Burden/Gabriel Woolf/Meg Davies/Timothy Bateson
Tell Me When The Feeling Stops....1983, AFT
12.11.1983, with Jane Knowles/Gabriel Woolf/Christian Rodska/
An Unfortunate Occurrence At Hounslow....1982, SNT
R4, 22 May 1982, 20:30 hrs- with Gary Cady/John Livesey/John Turner
/Maurice Denham. A young army man is flogged for a misdemeanor
in 1840. Such floggings were not rare, were carried out
for relatively trivial offences and were, to our minds, incomprehensible.
For the colonel who ordered the flogging, there were repercussions. He
found himself in court. This was a landmark case where it was finally
decided that the army did not have the right to treat its own
members with brutality in the name of "discipline". Recording
sent by David Carvin; many thanks David.
The Future Is Not What It Used To Be....1982, AFT
12.11.1982, with Cyril Shaps/Gabriel Woolf/Sonia Fraser/Cornelius
Tell Me When The Feeling Stops....1981, AFT
13.8.1981, with Jane Knowles/Gabriel Woolf/Christian Rodska/Diana
A Fall Of Leaves*....1980, AFT
17.7.1980, with Colin Baker/Sarah Sutton/Meg Davies. Rpt. 12.2.1982. A naive schoolmaster with marital difficulties spends a bit too much time with his star (female) pupil.
The Spring Queen....date nk
by Colin Hadyn Evans in 4 x 30m. R5. (children's story)
AFT=Afternoon theatre, SNT=Saturday Night Theatre
Asterisked items known to exist in VRPCC collections
Nigel Deacon / Diversity Website
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